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The dragon is a mythical creature that
can fly and walk. Dragon can change its form and has divine powers to
summon wind
and rain. Chinese people called their country ¡°the land of dragon¡± and
themselves "the descendants of dragon¡±. The dragon is the soul of
Chinese Nation.
If you have interest in dragon carpet please visit
The Origin of Dragon
In ancient times Chinese ancestors lived in a hard condition. Their knowledge
about nature was very limited. Different tribes had different totems.
They believed the totems were their ancestors who could protect them and
avert disasters. One tribe lived in Central China on the middle and lower
reaches of the Yellow River who used the snake as their totem. Later on
when they conquered other tribes, they added parts of other totems to
their snake totem. For instance when the tribe with deer totem was annexed,
the deer's antlers were added to the head of the snake. At last the mixture
image of dragon came into being, which has deer's antlers, camel's head,
hare's eye, snake's neck, carp's scales, eagle's claws, tiger's paws;
and ox's ears.
In many Chinese legend stories, Nuwa and Fuxi are two ancestors of mankind.
Both of them have the face of a human but the body of a snake or dragon. The Yellow
Emperor was regarded as the ancestor of the tribes in Central China. Legend
has it that he had the body of yellow dragon. Some legend said that he
rised to heaven by riding a divine yellow dragon. When the Xia Dynasty
was established in 21 century BC, the dragon gradually became the ancestor
of the royal family only, which further strengthened the dragon¡¯s dominant
position in Chinese culture. There was also one story in the Han Dynasty.
The first Han Emperor liu Bang was born due to his mother¡¯s dream that
she had an affair with a red dragon. When Liu Bang was drunk he often
could not restrain himself from transforming back into a dragon. So the
emperor and the dragon were physically combined together. An emperor was
believed to be the heavenly son of real dragon who ruled the world by
divine right. Everything for the emperor was added the word ¡°dragon¡±.
For instance, the throne was called ¡°dragon seat¡±, the emperor¡¯s bed was
called ¡°dragon bed¡±, the emperor¡¯s robe was called ¡°dragon robe¡±.
The image of dragon can be seen everywhere in the Imperial Palace in Beijing.
For example, there are 6 huge gilded columns lining each side of the gilded
throne in the Hall of Supreme Harmony, each carved with a coiled dragon
with its eyes gazing on the throne. The screen behind the throne is also
carved with dragons in various postures. Even on the ceiling there are
so many dragons¡¯ images. The Nine Dragon Screen Wall has nine dragons in different
posture and color. Actually the dragon became the symbol of the imperial
supreme power and authority.
Dragon¡¯s image appeared in Chinese people¡¯s life a long time ago. The
famous jade dragon was excavated in the Inner Mongolia, which can date
back 6000 years ago in Neolithic Age. For generations the folk stories
and customs relating to dragon have been very popular among the common
people. They often talk about dragon. They painted dragon or use the dragon
as the motif of the embroidery and paper-cut. The images of dragon in
such designs look lovely that contrast sharply with the majestic images
used in the palace. Chinese people believe that dragon can bring good
luck and keep evils away.
In china people have dragon dance to pray for good weather in order to
achieve bumper harvest. People also celebrate Dragon Boat Festival. Flying
dragon kite in spring is also popular among the people. Every 2nd of lunar
February is the Dragon Raising Head Day in China. People would like to
cut hair on that day for good luck.
The Nine Sons of the Dragon
There is a popular saying in China: ¡°The dragon has nine sons, but each
of them is different in appearance and they have different abilities and
interests.¡±
The eldest son Qiuniu is keen on music, whose image can
be seen on many traditional Chinese instruments.
Ya Zi is the second son who is bad-tempered, and inclined to fight, so
he often appears on ancient weapons. He can be seen on sword-hilt, knife
hilt and battle axe. It is said that his figure can add power to these
weapons.
Chao Feng is the third son, who is fearless, loves to take risks and watch
from high places, so he decorates the corners of palace roofs in ancient
China.
Pu Lao is the forth son, who is fond of roaring and his figure is put
on bell handles. He lives near the sea, though he is one son of the dragon,
but he fears to meet the big whale. When the whale attacks he fears to
roar loudly.
Suan Ni is the fifth son who is fond of smoke and fire; His figure is
like lion. His likeness can be seen on the legs of incense-burners. He
is also used to guard beside the main door.
Baxia (or bixi) is the sixth son, who has great strength and likes to
carrying heavy things. His figure is like tortoise. So he is used to carry
stone tablets with inscriptions. In China, many famous steles are carried
by Baxia.
Bi An is the seventh son. The figure of Bi An is like tiger. He is wise
and can tell who is good or evil, so his figure became decorations of
prison or court.
Fuxi is the eighth son who loves literature; his figures are carved on
sides of stone tablets with inscriptions.
Chi Wen is the ninth son who likes swallowing things. So he is also called
the Ridge-Swallowing Beast. He is said to be in charge of rainfall, so
the design has the purpose of safeguarding palaces from fire.
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Qiu Niu |
Ya Zi |
Chao Feng |
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Pu Lao |
Suan Ni |
Ba xia |
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Bi An |
Fu Xi |
Chi Wen |
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